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One of the quietest crises within contemporary creative industries is not a lack of talent. It is a lack of research. We are producing more imagery, more content and more visual stimulation than ever before, yet much of it feels historically disconnected. Many creatives today are highly skilled at referencing aesthetics but increasingly disconnected from the intellectual, political and cultural contexts behind them. The internet has created unprecedented access to inspiratio

Every day, millions of people consume endless streams of interiors, fashion campaigns, galleries, hotels, outfits, recipes, destinations and aesthetics through screens. Inspiration is now immediate and infinite. Entire creative identities can be built from references gathered within hours. And yet, despite this abundance, much of contemporary creative work feels strangely hollow.

There is too much stuff. Too many images. Too many brands. Too many campaigns. Too many aesthetics. Too many products designed to appear meaningful without actually saying anything. We are living in an era of creative pollution.

Even today, many luxury spaces still communicate the same message: less emotion, less noise, less humanity. But outside of these systems, many cultures have always understood richness differently.

We are living in one of the most visually sophisticated eras in modern history. And yet somehow, everything feels emotionally empty. Restaurants are aesthetically pleasing but forgettable.

There was once a time when taste came from living. From geography. From rituals. From scarcity. From inherited memory. From necessity. Taste was not built through algorithms or aesthetics. It was shaped by environment, politics, climate, migration, class, spirituality and survival. A person’s visual language reflected where they came from, what they valued, and how they moved through the world.

Bad Bunny’s Grammy win mattered far beyond Puerto Rico. For non Puerto Rican Caribbean people, especially those of us from English speaking islands, it felt like recognition we rarely get to see reflected back at us. Not because the album was trying to speak for everyone, but because it told a story so honestly rooted in place that it became universal. What made Debí Tirar Más Fotos especially powerful was not just the music, but the visual storytelling that accompanied it. T

The process of decolonising the mind and unlearning deeply ingrained beliefs highlights the ways original spiritual practices were criminalised and misunderstood. Across Caribbean history, prayers and rituals were often tools of resistance and survival, particularly during enslavement on islands such as Haiti and Jamaica. These practices carried meaning and protection for communities navigating unimaginable adversity. In truth, it is unlikely that African people would have su

Being born on a Caribbean island and then moving to the country that colonised it, along with many others, offers a perspective on the complex relationship between heritage and identity. Britain is home to many people of Caribbean descent, yet connections to the islands themselves can be minimal. Across both communities, a pattern emerges: a continual search for cultural roots, often moving in a loop of discovery and return. This pattern can be seen in Caribbean art, Afrofutu

As mentioned before.. WIC is a labor of love and literally entirely curated and created by me. It means a lot to me when people have great feedback, sign up for newsletters or take a business card to follow us, or even spend their money on having a magazine of their own! Those are all proofs of concept, and signs to keep going.. but before I did my first marketplace in Camden at the end of September, I was TERRIFIED. And I haven’t stopped being terrified. Fast forward to last

La Palenquera is one of my favorite pieces I did pre-MA degree. I often look back at alot of my old work and think that things could be different (as we all do as creatives I’m sure), but this concept is one that I’m really proud of. My only fault is that I wish I was more confident in my photography at this time to photograph the shoot myself, but I’m proud of the outcome and the team. I love the location and they styling; with the jewelry being handmade by me, and the outfi